We use cookies to ensure the best possible browsing experience on our website. By clicking OK, you consent to our use of cookies. Click here to read more about our cookie policy. 

Double Bass Concerto No. 1

with violino obbligato - Breitkopf Urtext

KOMPONIST: Franz Anton Hoffmeister
VERLAG: Breitkopf und Härtel
PRODUKTFORMAT: Studienpartitur
INSTRUMENT GROUP: Orchester
Thanks to its imaginative richness and sterling writing, Hoffmeister’s Double Bass Concerto "No. 1" has advanced to the rank of a popular audition concerto. But when compared with the transmitted sources, the previously available first edition of 1966 proved to be filled with errors. Tobias
12,90 €
inkl. MwSt.
Auf Bestellung
Gewöhnlich versandfertig in 10 Tagen
Dieses Produkt ist im Moment leider nicht verfügbar.
Not available in your region.
Spezifikationen
Subtitle with violino obbligato - Breitkopf Urtext
Komponist Franz Anton Hoffmeister
Verlag Breitkopf und Härtel
Instrumentierung Solo Double Bass, Violin and Orchestra
Produktformat Studienpartitur
Instrument Group Orchester
Genre Klassik
ISMN 9790004215616
Serie Breitkopf Urtext Edition
Seitenzahl 40
No. BRKPB15156-07
Definitive Duration 00:18:00
Beschreibung
Thanks to its imaginative richness and sterling writing, Hoffmeister’s Double Bass Concerto "No. 1" has advanced to the rank of a popular audition concerto. But when compared with the transmitted sources, the previously available first edition of 1966 proved to be filled with errors. Tobias Glöckler, double-bass player of the Dresdner Philharmonie, now presents a reliable Urtext in this edition. Through his competence as an instrumentalist, he even goes considerably further and offers various performance possibilities: the solo part can be played not only in solo and orchestral tuning, but also in the historical "Viennese tuning." The C-major version, which is offered on hire, allows performances in orchestral tuning. The orchestral material in D major (sales material) is suited to the other two tunings. “A beautiful and easy to read score, elegantly laid-out and with illuminating and informative preface notes. This concerto is among our most beautiful classical concerti, lyrical and inventive. It is a great pleasure to see our classical repertoire appear in such critical editions.” (Rob Nairn in Bass World)
    Laden
    Laden